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home·artworks·Bogumil Dawison as Richard III
Bogumil Dawison as Richard III by Friedrich von Amerling

plate no. 4774

Bogumil Dawison as Richard III

Friedrich von Amerling

oilRomanticismportraitportraitmancrownrobefigurehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering textures like fabric and gold. It also provides practice in creating depth and dimension through value and color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, crown, and robe.

  2. step 02

    Establish the background with a dark, muted brown tone.

  3. step 03

    Block in the main areas of color: skin tones, robe, crown, and red accents.

  4. step 04

    Refine the skin tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the crown, including the jewels and intricate gold work.

  6. step 06

    Develop the folds and textures of the robe, using darker values in the shadows.

  7. step 07

    Paint the gold embroidery on the robe with careful attention to detail.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · titanium white · yellow ochre · cadmium red

secondary · ivory black · ultramarine blue · cadmium yellow

Mix skin tones using white, yellow ochre, and a touch of red. Achieve gold tones by mixing yellow ochre, burnt umber, and a touch of cadmium yellow. Darken colors with burnt umber and black.

techniques

  • ·portrait painting
  • ·chiaroscuro
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Making the gold too bright and unrealistic.
  • →Failing to create enough depth in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, titanium white, yellow ochre, cadmium red, ivory black, ultramarine blue, cadmium yellow)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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