apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Boats coming home, Western Norway
Boats coming home, Western Norway by Hans Dahl

plate no. 9172

Boats coming home, Western Norway

Hans Dahl

oil, canvasRomanticismlandscapeboatwatermountainsfiguresskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic water with highlights and shadows. Students will also learn to paint convincing figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boat, mountains, and horizon line.

  2. step 02

    Establish the sky with a light, blended wash, creating a subtle gradient from light to dark.

  3. step 03

    Block in the distant mountains using muted colors, paying attention to atmospheric perspective (lighter and less detailed in the distance).

  4. step 04

    Roughly paint the water with broad strokes, indicating the general direction and movement of the waves.

  5. step 05

    Add details to the boat, including the sail, hull, and figures.

  6. step 06

    Refine the water by adding highlights and shadows to create the illusion of depth and movement.

  7. step 07

    Add final details to the figures, such as clothing and facial features.

  8. step 08

    Glaze and adjust colors as needed to unify the painting and enhance the overall atmosphere.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · cadmium red · raw sienna · viridian

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and white for the boat, and mix greens from blue, yellow, and brown for the water.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·rendering water

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the water appear flat and lifeless.
  • →Incorrect proportions of the boat and figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, titanium white, burnt umber, yellow ochre, cadmium red, raw sienna, viridian)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke