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home·artworks·Boats by the Normandy Shore
Boats by the Normandy Shore by Richard Parkes Bonington

plate no. 8841

Boats by the Normandy Shore

Richard Parkes Bonington, 1823

oil, canvasRomanticismlandscapeboatsbeachcliffsskyfigureswater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in a coastal landscape. It also provides practice in rendering complex shapes like boats and figures with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boats, cliffs, and horizon line.

  2. step 02

    Establish the sky with a thin wash of muted blues and grays, blending the colors softly.

  3. step 03

    Block in the large shapes of the cliffs and beach with earth tones, paying attention to the light and shadow.

  4. step 04

    Add the boats, starting with the darkest values and gradually building up the lighter areas.

  5. step 05

    Introduce details to the figures and other elements on the beach, using small brushstrokes.

  6. step 06

    Refine the reflections in the water, using horizontal strokes and slightly desaturated colors.

  7. step 07

    Add highlights and details to the sails and rigging of the boats.

  8. step 08

    Glaze with thin layers to unify the painting and adjust the values.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · cadmium red light · ivory black

Mix muted grays and blues for the sky by combining white, blue, and a touch of umber. Achieve the warm earth tones for the beach by blending umber, ochre, and sienna. Use a touch of red to create the warmer tones in the boats and clothing.

techniques

  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Creating overly saturated colors that clash with the muted palette.
  • →Failing to establish a clear sense of atmospheric perspective.
  • →Making the reflections too bright or detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (#2, #4, #6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for texture. Consider using a pre-toned canvas with a light earth tone to simplify the initial stages.

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oil painting for beginners →how to learn by studying the masters →
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