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home·artworks·Boating on the Thames
Boating on the Thames by John Lavery

plate no. 3958

Boating on the Thames

John Lavery, 1890

oilImpressionismgenre paintingwaterboatfigurestreesreflectiondog
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and capturing the subtle color variations in natural light. It also provides practice in painting figures in a relaxed, impressionistic style.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the shoreline, boats, and figures.

  2. step 02

    Establish the basic color blocks for the water, sky, and trees using thin washes.

  3. step 03

    Start building up the layers of color in the water, focusing on capturing the reflections and ripples.

  4. step 04

    Paint the figures in the boats, paying attention to the light and shadow on their forms.

  5. step 05

    Add details to the trees and shoreline, using broken brushstrokes to create texture.

  6. step 06

    Refine the reflections in the water, adding highlights and shadows to enhance the sense of depth.

  7. step 07

    Add the small details like the dog and the parasol.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious overall effect.

color palette

primary · viridian green · yellow ochre · titanium white · burnt umber

secondary · cadmium red · ultramarine blue

Mix greens by combining viridian green, yellow ochre, and white. Use burnt umber and ultramarine blue to create darker shades for the water and shadows. Add small amounts of cadmium red to create warmer tones in the reflections and figures.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details
  • →Failing to capture the subtle color variations in the water
  • →Creating muddy colors by overmixing
  • →Ignoring the importance of reflections

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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