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home·artworks·Boat scene at Milan, drawing by Leitch, engraving by T. Higham
Boat scene at Milan, drawing by Leitch, engraving by T. Higham by William Leighton Leitch

plate no. 2640

Boat scene at Milan, drawing by Leitch, engraving by T. Higham

William Leighton Leitch, 1845

oilRomanticismcityscapecityscapebuildingswaterboatsfiguresarchitecture
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details and creating atmospheric perspective using value variations. It's also good practice for depicting figures in a landscape setting.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements like buildings, boats, and figures.

  2. step 02

    Block in the main shapes of the buildings and water using broad strokes of diluted paint.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth and contrast.

  4. step 04

    Add details to the buildings, focusing on windows, architectural features, and textures.

  5. step 05

    Paint the boats and figures, paying attention to their proportions and placement within the scene.

  6. step 06

    Refine the water, adding reflections and subtle variations in tone.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the objects.

  8. step 08

    Make final adjustments to the overall composition and details.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Use varying ratios of black and white to create a full range of grays. Add small amounts of raw umber or payne's gray to warm or cool the tones as needed.

techniques

  • ·value studies
  • ·atmospheric perspective
  • ·rendering architectural details
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →getting lost in details too early
  • →failing to establish a strong value structure
  • →overworking the painting
  • →inaccurate proportions of figures and buildings

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a fine-grain canvas to allow for detailed rendering. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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