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home·artworks·Blue roofs of Rouen
Blue roofs of Rouen by Paul Gauguin

plate no. 2306

Blue roofs of Rouen

Paul Gauguin, 1884

oil, canvasImpressionismcityscapecityscapebuildingshillskytreesfigures
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and layering brushstrokes to create texture and form. It's a good exercise in capturing the overall impression of a scene rather than precise details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and the placement of the main buildings and the large tree.

  2. step 02

    Block in the sky with light blues and whites, using loose, horizontal brushstrokes.

  3. step 03

    Establish the overall color tones for the hill and the buildings, using thin washes of color.

  4. step 04

    Begin layering colors to define the shapes of the buildings, paying attention to the light and shadow.

  5. step 05

    Add details to the foreground, including the figures and the foliage, using smaller brushstrokes.

  6. step 06

    Create texture by applying paint with short, broken brushstrokes, especially in the foliage and the ground.

  7. step 07

    Refine the details of the tree branches, using a fine brush and dark colors.

  8. step 08

    Add final highlights and shadows to enhance the depth and dimension of the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · cadmium red · viridian green

Mix various shades of blue and white for the sky. Combine yellow ochre, burnt sienna, and white for the buildings. Use small amounts of red and green to create variations in the earth tones.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle variations in color and value.
  • →Making the composition too symmetrical or static.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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