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home·artworks·Blue House
Blue House by Boris Kustodiev

plate no. 6720

Blue House

Boris Kustodiev, 1920

oilArt Nouveau (Modern)cityscapehousefigurestreesskybalconywindows
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and layering techniques to create depth and texture in foliage and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the house, figures, and surrounding landscape, paying attention to perspective.

  2. step 02

    Establish the main color blocks for the sky, house, foliage, and ground.

  3. step 03

    Begin layering colors to create depth and variation within each area, focusing on the subtle shifts in hue and value.

  4. step 04

    Add details to the figures, including clothing, facial features, and gestures.

  5. step 05

    Refine the architectural details of the house, such as windows, shutters, and the balcony.

  6. step 06

    Develop the texture of the foliage using broken brushstrokes and varied greens.

  7. step 07

    Add the smaller details like the birds, flowers, and objects on the balcony.

  8. step 08

    Make final adjustments to the overall composition, ensuring a harmonious balance of color and form.

color palette

primary · cerulean blue · lemon yellow · rose madder

secondary · sap green · burnt umber · titanium white

Achieve the blues of the house by mixing cerulean blue with white and touches of rose madder. Create the greens by mixing lemon yellow and cerulean blue, adjusting the ratio for different shades. Use white to lighten colors and create highlights.

techniques

  • ·color layering
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle shifts in value and hue.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·retarder medium
  • ·easel

Use high-quality acrylic paints for best results. Consider using a medium to adjust the consistency and drying time of the paints.

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