apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Blue Eyes and Brown
Blue Eyes and Brown by Tom Roberts

plate no. 6564

Blue Eyes and Brown

Tom Roberts, 1888

oilImpressionismportraitfiguredogportraitdressfurbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as understanding how to depict fabric and fur textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and dog.

  2. step 02

    Block in the main areas of color, starting with the background and then the figure's dress and skin.

  3. step 03

    Refine the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Add details to the dress, including the folds and highlights.

  5. step 05

    Paint the dog, focusing on capturing its fur texture and facial expression.

  6. step 06

    Add details to the background, including the wall and any decorative elements.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · alizarin crimson

Mix various shades of blue and purple for the dress. Use burnt umber and yellow ochre for the background and dog, adding white for highlights and crimson for warmth in the skin tones.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·fur rendering
  • ·fabric depiction

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to capture the texture of the fur and fabric.
  • →Ignoring the background and not integrating it with the foreground.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann