apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Blick Auf Ober St. Veit
Blick Auf Ober St. Veit by Johann Nepomuk Passini

plate no. 2938

Blick Auf Ober St. Veit

Johann Nepomuk Passini

oilRomanticismlandscapelandscapefiguresvillagetreespathbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering washes to create depth. It also provides practice in rendering figures and foliage with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to the placement of the horizon line and major elements.

  2. step 02

    Apply a thin wash of diluted yellow ochre or raw sienna across the entire paper to create a warm undertone.

  3. step 03

    Begin layering washes of color, starting with the sky and distant landscape. Use diluted blues and greens to create atmospheric perspective.

  4. step 04

    Add the middle ground elements, such as the fields, trees, and buildings. Use slightly more saturated colors and define the shapes more clearly.

  5. step 05

    Paint the foreground elements, including the path, figures, and foliage. Use the darkest values and most saturated colors in this area.

  6. step 06

    Add details to the figures and buildings using fine brushstrokes. Pay attention to the light and shadow.

  7. step 07

    Use dry brush techniques to create texture in the foliage and grass.

  8. step 08

    Add final highlights and shadows to enhance the depth and dimension of the painting.

color palette

primary · yellow ochre · raw sienna · ultramarine blue · burnt umber

secondary · sap green · alizarin crimson · Payne's gray

Mix greens by combining yellow ochre and ultramarine blue. Create muted tones by adding a touch of burnt umber or Payne's gray to other colors.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·layering washes
  • ·rendering figures

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Using colors that are too saturated and creating a painting that looks unnatural.
  • →Failing to create enough depth and dimension in the landscape.
  • →Not paying attention to the light and shadow, which can make the painting look flat.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paints for best results. Experiment with different brush sizes and techniques to achieve the desired effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke