
plate no. 8733
Bernardino Luini, 1525
Recreating this painting will help students develop skills in portraiture, color mixing for flesh tones, and creating a sense of depth through subtle value changes. Students can also practice rendering drapery and creating a convincing texture.
technical profile
approach — 8 steps
Lightly sketch the overall composition, focusing on proportions and placement of the figure within the frame.
Establish the background color with a thin wash of reddish-brown.
Block in the main shapes of the figure: head, torso, hands, and drapery, using simplified color masses.
Begin refining the facial features, paying close attention to the light and shadow on the face.
Develop the drapery folds, using darker values to create depth and lighter values to indicate highlights.
Add details such as the halo, the decorative border on the clothing, and the lettering at the bottom.
Glaze thin layers of color to refine the skin tones and create a sense of luminosity.
Add final highlights and shadows to enhance the three-dimensionality of the figure.
color palette
primary · red ochre · ultramarine blue · titanium white
secondary · yellow ochre · burnt umber · viridian green
Flesh tones can be achieved by mixing red ochre, yellow ochre, and titanium white. Use burnt umber to create shadows and ultramarine blue to cool down the skin tones. Mix ultramarine blue and yellow ochre for the green drapery.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface to facilitate blending. Oil paints will allow for longer blending time, but acrylics are also suitable.
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