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home·artworks·Blackman Street, London
Blackman Street, London by John Atkinson Grimshaw

plate no. 5387

Blackman Street, London

John Atkinson Grimshaw, 1885

oilRomanticismcityscapecityscapebuildingsstreetnightfigureslight
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effects of light and reflection on wet surfaces. It also provides practice in rendering complex architectural details in a simplified manner.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and the church spire.

  2. step 02

    Establish the overall color scheme with a thin wash of dark green and brown tones.

  3. step 03

    Block in the main shapes of the buildings, using darker values for shadows and lighter values for areas illuminated by streetlights.

  4. step 04

    Add the warm glow of the streetlights and window lights, using yellows and oranges.

  5. step 05

    Create the reflections on the wet pavement, mirroring the colors and shapes above.

  6. step 06

    Refine the details of the buildings and figures, using small brushstrokes.

  7. step 07

    Add highlights to the streetlights and reflections to enhance the sense of light and atmosphere.

  8. step 08

    Glaze with thin layers of color to unify the painting and create depth.

color palette

primary · yellow ochre · burnt umber · Prussian blue

secondary · cadmium yellow · ivory black · sap green

Mix yellow ochre and burnt umber for the warm tones of the streetlights and reflections. Combine Prussian blue and burnt umber for the dark, atmospheric shadows. Add small amounts of cadmium yellow to yellow ochre to create brighter highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections
  • ·chiaroscuro

common pitfalls

  • →Overworking the details, losing the overall atmospheric effect.
  • →Making the colors too bright or saturated, disrupting the muted, nocturnal mood.
  • →Failing to create a convincing sense of depth and distance.
  • →Not capturing the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth surface to facilitate blending and glazing. Consider using a toned canvas to establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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