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home·artworks·Black Butte, Mount Shasta
Black Butte, Mount Shasta by Thomas Hill

plate no. 3183

Black Butte, Mount Shasta

Thomas Hill

oilRomanticismlandscapetreesforestmountainpathskyanimals
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth in a landscape. It also provides practice in rendering textures of trees and foliage using varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, mountain, and path.

  2. step 02

    Establish the sky with a light blue wash, blending towards the horizon.

  3. step 03

    Block in the general shapes of the mountain and trees with dark greens and browns.

  4. step 04

    Begin layering the foliage, using variations of green and brown to create depth and texture.

  5. step 05

    Paint the path with a mix of browns and oranges, paying attention to the light and shadow.

  6. step 06

    Add details to the trees, including branches and highlights.

  7. step 07

    Refine the mountain with subtle variations in color and value.

  8. step 08

    Add the rabbits as a final detail.

color palette

primary · sap green · burnt umber · titanium white

secondary · yellow ochre · ultramarine blue

Achieve the various greens by mixing sap green with burnt umber and titanium white. Use ultramarine blue and burnt umber to create dark shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details in the foliage, resulting in a flat appearance.
  • →Failing to create enough depth in the landscape.
  • →Using too much pure green, making the painting look unnatural.
  • →Ignoring the subtle color variations in the sky and mountain.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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