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home·artworks·Bjerk i storm
Bjerk i storm by Johan Christian Dahl

plate no. 0583

Bjerk i storm

Johan Christian Dahl, 1848

oilRomanticismlandscapetreeslandscapeskyfoliagemountainstorm
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as rendering complex organic forms like trees and foliage. It also provides practice in creating a sense of drama and mood through lighting and composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree and the horizon line.

  2. step 02

    Establish the dark background values with thin washes of dark colors.

  3. step 03

    Block in the main shapes of the tree foliage with mid-tone greens and browns.

  4. step 04

    Begin layering lighter greens and yellows to suggest highlights on the leaves.

  5. step 05

    Add details to the tree trunk, paying attention to the texture and form.

  6. step 06

    Refine the background landscape, creating depth with atmospheric perspective.

  7. step 07

    Add final highlights and shadows to enhance the sense of light and drama.

  8. step 08

    Glaze with thin washes of color to unify the painting and adjust values.

color palette

primary · Prussian Blue · Burnt Umber · Yellow Ochre · Titanium White

secondary · Sap Green · Cadmium Yellow · Alizarin Crimson

Mix greens by combining Prussian Blue and Yellow Ochre. Use Burnt Umber and Prussian Blue for dark shadows. Add Titanium White to lighten values and create highlights.

techniques

  • ·Layering
  • ·Blending
  • ·Glazing
  • ·Dry brushing
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details in the foliage, resulting in a flat appearance.
  • →Failing to establish a strong value structure, leading to a lack of depth.
  • →Using too much paint, which can make the painting look muddy.
  • →Ignoring the subtle color variations in the foliage and background.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering.

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oil painting for beginners →how to learn by studying the masters →
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