
plate no. 2999
Franklin Carmichael, 1933
Recreating this painting will help students understand atmospheric perspective and how to mix subtle color variations to represent snow and distant mountains. It also provides practice in depicting simple architectural forms within a landscape.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the mountains, buildings, and horizon line.
Establish the sky with light blue and white washes, blending the colors softly.
Block in the distant mountains with layers of blues, purples, and grays, using lighter tones for mountains further away.
Paint the mid-ground hills with warmer grays and browns, adding subtle variations in color and value.
Lay down a base layer of white for the snow-covered fields, adding shadows with cool grays and blues.
Paint the buildings with simple shapes and colors, paying attention to their proportions and placement.
Add details to the snow, such as tracks and shadows, to create depth and texture.
Refine the overall composition and add any final touches.
color palette
primary · titanium white · ultramarine blue · burnt umber
secondary · yellow ochre · cadmium red · payne's gray
Mix various shades of gray by combining white, umber, and a touch of blue. Achieve the mountain colors by blending blue and umber with varying amounts of white. Use yellow ochre and red sparingly for subtle warmth in the landscape.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.
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