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home·artworks·Bishop Bernardo de' Rossi
Bishop Bernardo de' Rossi by Lorenzo Lotto

plate no. 1627

Bishop Bernardo de' Rossi

Lorenzo Lotto, 1505

oil, woodHigh Renaissanceportraitportraitfigureclothinghathandbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a dark, muted color, gradually building up layers to create depth.

  3. step 03

    Block in the main areas of color for the face, clothing, and hat, focusing on the overall value structure.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle variations in skin tone and the play of light and shadow.

  5. step 05

    Develop the details of the clothing, including the folds, buttons, and decorative elements.

  6. step 06

    Render the hand and the object it is holding, paying attention to the form and texture.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and realistic representation.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium red light · yellow ochre

Mix various shades of skin tones using burnt umber, raw sienna, titanium white, and a touch of cadmium red light. Achieve the dark background by mixing ivory black with burnt umber.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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