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home·artworks·Biron Palace and barges
Biron Palace and barges by Anna Ostroumova-Lebedeva

plate no. 6245

Biron Palace and barges

Anna Ostroumova-Lebedeva, 1916

oilArt Nouveau (Modern)cityscapecityscapebuildingsboatswaterskyreflections
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and simplifying complex scenes into basic shapes and values. It also provides practice in rendering reflections and using a limited color palette to create a mood.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, boats, and horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber and yellow ochre, creating a light background and darker foreground.

  3. step 03

    Block in the dark shapes of the buildings and boats using a dark brown or black.

  4. step 04

    Add highlights to the buildings and boats with white, focusing on areas where light is reflecting.

  5. step 05

    Create the reflections in the water by mirroring the shapes above, using slightly blurred and elongated strokes.

  6. step 06

    Refine the details of the buildings and boats, adding subtle variations in tone and texture.

  7. step 07

    Add the masts and rigging of the boats using thin, dark lines.

  8. step 08

    Adjust the overall values and contrast to create a sense of depth and atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · black · raw sienna

Mix burnt umber and yellow ochre to create the warm, muted tones of the sky and water. Add white to lighten these colors for highlights. Use black sparingly to create the darkest shadows.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·limited palette
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →making the reflections too perfect
  • →using too many colors
  • →not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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