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home·artworks·Bird Nesting
Bird Nesting by John Lee

plate no. 9921

Bird Nesting

John Lee, 1859

oilRomanticismgenre paintingfigureslandscapechildrennesttreerural
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering fabric folds, and creating a sense of depth through atmospheric perspective. It's also a good exercise in capturing realistic skin tones and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the main elements of the landscape.

  2. step 02

    Establish the background with a thin wash of color, paying attention to the atmospheric perspective (lighter and cooler in the distance).

  3. step 03

    Block in the main shapes of the figures with simplified colors, focusing on the overall value structure.

  4. step 04

    Begin refining the details of the faces, paying close attention to the light and shadow to create form.

  5. step 05

    Develop the clothing, rendering the folds and textures with careful brushwork and color variations.

  6. step 06

    Add details to the landscape, such as the tree trunk, foliage, and fence, using a variety of brushstrokes to create texture.

  7. step 07

    Paint the bird's nest and the sticks, paying attention to their texture and form.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · titanium white · sap green

Mix various shades of brown and green by combining burnt umber, yellow ochre, and ultramarine blue. Add white to lighten the colors and create highlights. Use small amounts of cadmium red to warm up skin tones and add subtle color variations.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·atmospheric perspective
  • ·blending
  • ·glazing

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or flat lighting
  • →Neglecting the atmospheric perspective
  • →Overworking the details too early
  • →Using too much detail in the background

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, cadmium red, titanium white, sap green)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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