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home·artworks·Big Family Girl
Big Family Girl by Zhang Xiaogang

plate no. 4226

Big Family Girl

Zhang Xiaogang, 2006

oilMagic Realismportraitportraitgirlglassesbookuniformpigtails
some experience helpful

Recreating this painting will help students develop skills in portrait painting, particularly in capturing subtle skin tones and creating a smooth, blended finish. It also offers practice in rendering realistic details like glasses and clothing.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the background with a diluted grey-blue, creating a smooth, even tone.

  3. step 03

    Establish the basic skin tone with a mix of yellow ochre, white, and a touch of red, applying it in thin layers.

  4. step 04

    Gradually build up the shadows and highlights on the face and hands, paying close attention to the subtle shifts in value.

  5. step 05

    Paint the clothing, using white with slight variations in tone to create form and dimension.

  6. step 06

    Add the details of the glasses, book, and hair, using fine brushes for precision.

  7. step 07

    Carefully render the thin red lines, ensuring they are sharp and clean.

  8. step 08

    Refine the overall painting, adjusting values and details as needed to achieve a polished finish.

color palette

primary · titanium white · yellow ochre · raw umber · grey-blue

secondary · cadmium red light · ivory black

The skin tone is achieved by mixing yellow ochre, white, and a touch of red. The grey-blue background is a mix of white, black, and a touch of blue. Subtle variations in these mixtures create the shadows and highlights.

techniques

  • ·smooth blending
  • ·glazing
  • ·portraiture
  • ·color mixing
  • ·fine detail work

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the subtle value shifts in the face.
  • →Making the red lines too thick or uneven.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A smooth canvas surface will aid in achieving the desired blended finish.

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