apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Biarritz Promenade
Biarritz Promenade by Kimon Loghi

plate no. 6514

Biarritz Promenade

Kimon Loghi

oilImpressionismmarinatreesoceancastlefiguresclifffoliage
some experience helpful

This painting provides practice in layering colors to create depth and atmosphere, and in simplifying complex forms into impressionistic shapes. Students will learn to capture the essence of a scene rather than focusing on precise details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, castle, and figures.

  2. step 02

    Block in the large areas of color: sky, sea, foliage, and castle using thin washes.

  3. step 03

    Layer in darker values to define the forms of the trees and the shadows on the castle and cliff.

  4. step 04

    Add highlights to the water and foliage to create a sense of light and atmosphere.

  5. step 05

    Refine the shapes of the figures and add subtle details to the castle windows and stonework.

  6. step 06

    Use broken brushstrokes to create texture in the foliage and rocks.

  7. step 07

    Blend edges where needed to soften the overall effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · cerulean blue · yellow ochre · titanium white

secondary · cadmium orange · alizarin crimson · sap green

Mix greens by combining blue and yellow ochre, and create variations in the browns by adding touches of red or blue. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much detail in the background, which can flatten the image.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann