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Bettina by Christian Schad

plate no. 6942

Bettina

Christian Schad

oilMagic Realismportraitportraitfigurelandscapemountainsbuildingsky
experienced study

This painting offers a good exercise in portraiture, focusing on subtle skin tones and capturing a likeness. Recreating the background will help develop skills in atmospheric perspective and rendering distant landscapes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and background elements.

  2. step 02

    Block in the main shapes and colors of the background, starting with the sky and mountains.

  3. step 03

    Establish the basic skin tones and values on the face and hands.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the clothing and hair, capturing the texture and folds.

  6. step 06

    Develop the background details, including the buildings and trees, using atmospheric perspective.

  7. step 07

    Refine the overall composition and add final highlights and shadows.

  8. step 08

    Glaze to unify the color palette.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · ultramarine blue · cadmium red light · sap green

Mix skin tones using white, yellow ochre, burnt sienna, and a touch of red and blue. Achieve atmospheric perspective in the background by adding blue and white to the base colors.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Failing to create a sense of depth in the background.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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