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home·artworks·Bethlehem. Shrine of the Nativity
Bethlehem. Shrine of the Nativity by David Roberts

plate no. 3586

Bethlehem. Shrine of the Nativity

David Roberts

oilRomanticismcityscapearchitectureinteriorfigurescolumnsstepsreligious
experienced study

Recreating this painting will help students develop skills in perspective drawing, architectural rendering, and capturing the atmosphere of a complex interior space with figures. It also encourages the use of a limited palette to create a harmonious and unified artwork.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the perspective and proportions of the architectural elements.

  2. step 02

    Block in the main shapes and forms using a thin wash of diluted paint.

  3. step 03

    Establish the light and shadow patterns to create depth and dimension.

  4. step 04

    Begin adding details to the architecture, such as the columns, arches, and ornamentation.

  5. step 05

    Introduce the figures, paying attention to their placement and interaction within the scene.

  6. step 06

    Refine the details of the figures, including their clothing and facial features.

  7. step 07

    Add final highlights and shadows to enhance the overall sense of realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · cadmium red light · yellow ochre · titanium white

Mix raw umber and ivory black for the darker shadows. Use burnt sienna and yellow ochre for the warmer tones of the architecture. Add titanium white to lighten the colors and create highlights.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Incorrect perspective leading to a distorted image.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too many colors and creating a chaotic composition.
  • →Inaccurate figure proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 1/4 inch, 1/2 inch)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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