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home·artworks·'Best Friends'', Portrait of Countess Franziska Auersperg (1831–1847) with her dogs
'Best Friends'', Portrait of Countess Franziska Auersperg (1831–1847) with her dogs by Alexander Clarot

plate no. 3964

'Best Friends'', Portrait of Countess Franziska Auersperg (1831–1847) with her dogs

Alexander Clarot, 1839

oil, canvasRomanticismportraitportraitchilddoginteriorcurtainchair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as depicting realistic textures in fabric and fur.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on accurate proportions and placement of the figures and objects.

  2. step 02

    Block in the main shapes and colors, establishing the overall composition and value structure.

  3. step 03

    Begin refining the skin tones of the child, paying attention to subtle variations in color and light.

  4. step 04

    Develop the details of the dog's fur, using layering and blending techniques to create a realistic texture.

  5. step 05

    Paint the fabric of the dress and curtain, capturing the folds and highlights.

  6. step 06

    Add details to the background, including the chair and architectural elements.

  7. step 07

    Refine the details of the faces of the child and dogs, paying attention to the eyes and expressions.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · ultramarine blue · cadmium red · yellow ochre

secondary · viridian green · burnt umber

Mix skin tones using cadmium red, yellow ochre, and titanium white, with small amounts of ultramarine blue for shadows. Create the green curtain by mixing viridian green with yellow ochre and titanium white.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·glazing
  • ·fur rendering

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly harsh or flat skin tones.
  • →Lack of depth and dimension in the fur.
  • →Ignoring subtle color variations in the fabric.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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oil painting for beginners →how to learn by studying the masters →
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