
plate no. 3963
Robert Harris, 1910
Recreating this painting will help students develop skills in color mixing for natural light and shadow, as well as capturing the essence of a figure within a landscape using loose brushwork.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, the horizon line, and the mountain.
Block in the large areas of color: sky, mountain, field, and the figure's clothing.
Begin refining the colors in the field, adding variations of green and yellow to suggest grass and wildflowers.
Develop the form of the mountain using darker blues and greens for shadows and lighter greens for highlights.
Refine the figure, paying attention to the folds and shadows in the clothing.
Add details such as the hat, bucket, and facial features, keeping the brushstrokes loose and impressionistic.
Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.
Add final touches, such as highlights on the figure and subtle details in the field.
color palette
primary · yellow ochre · ultramarine blue · titanium white
secondary · alizarin crimson · burnt umber
Mix greens by combining yellow ochre and ultramarine blue. Achieve the purplish hues of the dress by mixing ultramarine blue with alizarin crimson and white. Use white to lighten values and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.
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