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home·artworks·Berliner Straße mit Droschken in Regen
Berliner Straße mit Droschken in Regen by Lesser Ury

plate no. 2372

Berliner Straße mit Droschken in Regen

Lesser Ury, 1925

oilImpressionismcityscapecityscaperainfigurescarsumbrellasstreet
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections on wet surfaces. It also provides practice in simplifying complex scenes and suggesting details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures, cars, and the horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of neutral tones, paying attention to the light source and areas of reflection.

  3. step 03

    Block in the main shapes of the figures and cars using simplified forms and colors.

  4. step 04

    Develop the background elements, suggesting the buildings and trees with loose brushstrokes and muted colors.

  5. step 05

    Add details to the figures and cars, focusing on key features and highlights.

  6. step 06

    Create the effect of rain and reflections by adding vertical streaks and horizontal lines of light and dark tones.

  7. step 07

    Refine the edges and details, softening some areas to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium orange · ivory black

Mix various shades of gray and brown by combining ultramarine blue, burnt umber, and white. Use cadmium orange sparingly to create the warm tones of the figures' clothing. Add small amounts of black to darken colors and create shadows.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to establish a strong value structure, resulting in a flat and unconvincing painting.
  • →Using colors that are too saturated, which can detract from the overall mood and atmosphere.
  • →Ignoring the importance of edges and creating hard lines where soft edges are needed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·retarder medium

A slightly textured canvas can help to create a more impressionistic effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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