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home·artworks·Berla's spouse
Berla's spouse by Giuseppe Tominz

plate no. 7908

Berla's spouse

Giuseppe Tominz, 1840

oil, canvasRomanticismportraitportraitfiguresclothingjewelrycouplehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering realistic fabrics and textures.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figures and their clothing.

  2. step 02

    Establish the background with a thin wash of color, focusing on the overall tone.

  3. step 03

    Block in the main areas of color for the skin, clothing, and hair, paying attention to the light and shadow patterns.

  4. step 04

    Begin layering and blending the skin tones, gradually building up the highlights and shadows.

  5. step 05

    Refine the details of the clothing, including the folds, textures, and embellishments.

  6. step 06

    Add the jewelry and other accessories, paying close attention to their reflective qualities.

  7. step 07

    Adjust the overall composition and values to create a sense of depth and realism.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · raw umber · yellow ochre

secondary · ultramarine blue · alizarin crimson

Achieve skin tones by mixing titanium white, yellow ochre, raw umber, and a touch of alizarin crimson. Use ivory black and ultramarine blue to create the dark tones of the clothing.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·value studies
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to the details of the clothing and jewelry.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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