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home·artworks·Bergen harbor with Bergenhu
Bergen harbor with Bergenhu by Johan Christian Dahl

plate no. 0579

Bergen harbor with Bergenhu

Johan Christian Dahl, 1839

oil, canvasRomanticismlandscapeharborboatsbuildingswaterskymountains
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color variations. It also provides practice in rendering reflections and depicting various textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, buildings, boats, and pier.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint, focusing on the sky and water.

  3. step 03

    Block in the major shapes of the mountains and buildings, paying attention to their values.

  4. step 04

    Begin adding details to the boats and pier, using darker values to create shadows and depth.

  5. step 05

    Refine the reflections in the water, using horizontal brushstrokes and slightly desaturated colors.

  6. step 06

    Add highlights to the sails, buildings, and water to create a sense of light and atmosphere.

  7. step 07

    Work on the details of the figures and the cargo on the pier.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium red · yellow ochre

Mix burnt umber and ultramarine blue for the darker tones in the water and mountains. Use titanium white to lighten the sky and create highlights. Raw sienna and yellow ochre can be mixed to create the warm tones in the buildings.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in a painting that looks unnatural.
  • →Ignoring the importance of value contrast in creating a sense of form and light.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish the overall color scheme more quickly.

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oil painting for beginners →how to learn by studying the masters →
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