apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Benito Perez Galdos
Benito Perez Galdos by Joaquín Sorolla

plate no. 0522

Benito Perez Galdos

Joaquín Sorolla, 1894

oil, canvasImpressionismportraitportraitmanclothingwindowinteriorsea
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures of clothing and creating depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the background with broad strokes, paying attention to the color variations.

  4. step 04

    Begin painting the face, starting with the mid-tones and gradually adding highlights and shadows.

  5. step 05

    Work on the clothing, using thicker paint and more visible brushstrokes to create texture.

  6. step 06

    Refine the details of the face, such as the eyes, nose, and mouth.

  7. step 07

    Add the final touches, such as the cigarette and the cane.

  8. step 08

    Adjust the overall values and colors to create a harmonious and balanced painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · ivory black · yellow ochre

Mix burnt umber and raw sienna with white to create the skin tones. Add small amounts of blue or black to create shadows. Use yellow ochre to add warmth to the highlights.

techniques

  • ·portraiture
  • ·alla prima
  • ·chiaroscuro
  • ·broken color
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ultramarine blue, ivory black, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann