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home·artworks·Ben Nevis and Mountain Stream
Ben Nevis and Mountain Stream by William Shayer

plate no. 0573

Ben Nevis and Mountain Stream

William Shayer, 1855

oilRomanticismlandscapemountainsrivercowstreesskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering realistic reflections in water and suggesting details with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, river, and foreground elements.

  2. step 02

    Block in the sky with light blues and whites, blending softly to create a sense of atmosphere.

  3. step 03

    Establish the distant mountains using muted blues and grays, paying attention to value changes to suggest depth.

  4. step 04

    Paint the mid-ground hills and trees, using a variety of greens, browns, and yellows.

  5. step 05

    Add the river, reflecting the colors of the sky and surrounding landscape.

  6. step 06

    Paint the foreground rocks and foliage, adding details and textures with dry brush techniques.

  7. step 07

    Add the cows, using small brushstrokes to suggest their forms.

  8. step 08

    Refine the details and adjust the values to create a sense of harmony and balance.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · sap green · cadmium yellow · alizarin crimson

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking details in the distant mountains.
  • →Creating too much contrast in the mid-ground.
  • →Making the reflections in the water too literal.
  • →Ignoring the subtle color variations in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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