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home·artworks·Belvedere, Bath
Belvedere, Bath by Walter Sickert

plate no. 9411

Belvedere, Bath

Walter Sickert, 1917

oilImpressionismcityscapecityscapebuildingsstreethorse-drawn carriageskytrees
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and simplifying complex scenes into basic shapes and values. It also provides practice in using visible brushstrokes to create texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, street, and carriage, focusing on proportions and perspective.

  2. step 02

    Block in the sky with a light blue, leaving space for clouds.

  3. step 03

    Establish the main value masses for the buildings and street using a limited palette of grays and browns.

  4. step 04

    Add darker values to define shadows and architectural details.

  5. step 05

    Introduce hints of color to the buildings and foliage, keeping the overall palette muted.

  6. step 06

    Paint the horse and carriage, simplifying the forms and focusing on the overall shape and value.

  7. step 07

    Add details with visible brushstrokes to create texture and interest.

  8. step 08

    Refine the composition and adjust values as needed to create a sense of depth and atmosphere.

color palette

primary · gray · light blue · brown

secondary · yellow ochre · dark green · purple

Achieve the muted colors by mixing complementary colors (e.g., blue and orange, green and red) to create grays and browns. Use white to lighten values and add a touch of blue to cool down the grays.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·simplification

common pitfalls

  • →Overworking details
  • →Using too many colors
  • →Ignoring value relationships
  • →Incorrect perspective

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (gray, light blue, brown, white, yellow ochre)
  • ·Round brushes (#4, #6, #8)
  • ·Palette
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Medium (e.g., Liquin)
  • ·Easel

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a base value.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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