apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bell and Dorothy Freeman
Bell and Dorothy Freeman by Edward Robert Hughes

plate no. 2697

Bell and Dorothy Freeman

Edward Robert Hughes

oilRomanticismportraitfiguresportraitinteriorviolincurtainswindow
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the composition, focusing on proportions and placement of figures and objects.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme.

  3. step 03

    Develop the skin tones using layers of subtle color variations, paying attention to highlights and shadows.

  4. step 04

    Paint the clothing, focusing on capturing the folds and textures of the fabric.

  5. step 05

    Render the background elements, such as the curtains and window, with attention to detail.

  6. step 06

    Add details to the violin and other accessories.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ultramarine blue · cadmium red · yellow ochre

secondary · burnt umber · raw sienna · alizarin crimson

Achieve skin tones by mixing titanium white, cadmium red, yellow ochre, and a touch of ultramarine blue. Create the blue dress by mixing ultramarine blue with a touch of burnt umber and white. The white dress requires subtle variations of white with hints of yellow ochre and raw sienna.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·fabric rendering
  • ·color mixing

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly saturated or flat skin tones.
  • →Difficulty capturing the subtle variations in the white dress.
  • →Neglecting the details in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve blending and transparency.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke