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home·artworks·Beginning of Springtime
Beginning of Springtime by Kimon Loghi

plate no. 9107

Beginning of Springtime

Kimon Loghi

oilImpressionismlandscapetreesmountainsskyfoliagelandscapesnow
some experience helpful

This painting provides practice in layering colors to create depth and texture, and in capturing the essence of a scene rather than precise details. Students can learn to simplify complex forms into basic shapes and use brushstrokes to suggest movement and light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, trees, and foreground elements.

  2. step 02

    Block in the main color areas using thin washes, starting with the sky and mountains.

  3. step 03

    Add darker values to define the shadows and create depth in the mountains and trees.

  4. step 04

    Begin building up the foliage with layers of green and brown, using short, broken brushstrokes.

  5. step 05

    Paint the flowering tree with dabs of white and yellow, capturing the texture of the blossoms.

  6. step 06

    Refine the details of the trees and foreground, adding highlights and shadows to create form.

  7. step 07

    Adjust the overall color balance and value contrast to achieve a harmonious and atmospheric effect.

  8. step 08

    Add final touches and details to enhance the painting's realism and visual interest.

color palette

primary · titanium white · sap green · burnt umber · cadmium yellow

secondary · alizarin crimson · ultramarine blue · yellow ochre

Mix greens by combining sap green with yellow or blue. Achieve the mountain colors by mixing burnt umber, alizarin crimson, and a touch of blue. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much paint and creating a muddy effect.
  • →Failing to establish a strong value structure.
  • →Not simplifying the complex forms of the trees and foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil (for oil paints)
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·apron

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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