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home·artworks·Before the coming of the sinful Queen
Before the coming of the sinful Queen by Eleanor Fortescue-Brickdale

plate no. 6546

Before the coming of the sinful Queen

Eleanor Fortescue-Brickdale, 1913

oilRomanticismillustrationflowersfoliagefiguresfairieslandscapeplants
experienced study

Recreating this painting would help students develop skills in layering complex foliage and rendering figures within a natural setting. It also encourages careful observation of subtle color variations in nature.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main composition, focusing on the placement of the foxgloves and the overall arrangement of the foliage.

  2. step 02

    Establish the background landscape with thin washes of color.

  3. step 03

    Block in the general shapes and values of the larger leaves and plants.

  4. step 04

    Begin layering in details of the foliage, using a variety of greens, browns, and yellows.

  5. step 05

    Carefully render the foxglove flowers, paying attention to their shape and color variations.

  6. step 06

    Add the fairy figures, focusing on their delicate forms and subtle skin tones.

  7. step 07

    Refine the details of the foreground foliage and add any final highlights or shadows.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · sap green · alizarin crimson · yellow ochre

secondary · titanium white · burnt umber · cadmium yellow light

Achieve the various greens by mixing sap green with yellow ochre and titanium white. Create the pinks and reds of the foxgloves by mixing alizarin crimson with titanium white and a touch of yellow ochre.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·rendering figures

common pitfalls

  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Getting the proportions of the figures wrong.
  • →Using too much paint and creating a muddy effect.
  • →Not paying attention to the subtle color variations in the foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 4-8)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (if using oil paints)

optional

  • ·palette knife
  • ·medium gloss
  • ·retarder medium

Use high-quality paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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