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home·artworks·Before the ball
Before the ball by Petrus van Schendel

plate no. 8838

Before the ball

Petrus van Schendel, 1835

oil, panelRomanticismgenre paintingfigurescandlelightinteriortabledressjewelry
experienced study

Recreating this painting will help students understand chiaroscuro and how to depict light emanating from a single source. It also provides practice in rendering fabric and skin tones under low light conditions.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the table.

  2. step 02

    Establish the darkest areas of the painting with a dark, neutral color like burnt umber.

  3. step 03

    Block in the main shapes of the figures and objects, paying attention to the light and shadow patterns.

  4. step 04

    Begin to build up the highlights around the candlelight, using lighter tones of yellow and white.

  5. step 05

    Refine the details of the faces and clothing, using subtle color variations to create form.

  6. step 06

    Add the details of the jewelry and other small objects on the table.

  7. step 07

    Glaze over the dark areas to deepen the shadows and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · cadmium red · viridian green

Mix yellow ochre with burnt umber and white for the skin tones and clothing. Use small amounts of cadmium red and viridian green to create subtle color variations in the shadows and highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·limited palette

common pitfalls

  • →Failing to establish a strong value contrast.
  • →Overworking the highlights and losing the sense of darkness.
  • →Using too many colors and creating a muddy effect.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a canvas with a smooth surface to allow for smooth blending. Consider using a toned canvas to help establish the dark values.

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oil painting for beginners →how to learn by studying the masters →
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