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home·artworks·Beautiful Afternoon in Royan
Beautiful Afternoon in Royan by Rupert Bunny

plate no. 5691

Beautiful Afternoon in Royan

Rupert Bunny, 1910

oilImpressionismgenre paintingfiguresbeachparasolsoceanboatsclothing
some experience helpful

Recreating this painting will help students develop skills in depicting figures in light and shadow, as well as capturing the atmosphere of a beach scene with loose brushwork. Students will also learn to mix subtle color variations to represent the effects of light on different surfaces.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the main areas of color, such as the sky, sea, sand, and clothing, using thin washes.

  3. step 03

    Start building up the values and details of the figures, paying attention to the light and shadow.

  4. step 04

    Add details to the beach scene, such as the parasols, boats, and other figures in the background.

  5. step 05

    Refine the colors and values, blending the edges of the brushstrokes to create a soft, impressionistic effect.

  6. step 06

    Add highlights and details to the figures' faces and clothing.

  7. step 07

    Adjust the overall composition and color balance to create a harmonious and visually appealing painting.

  8. step 08

    Add final details and highlights.

color palette

primary · titanium white · cerulean blue · yellow ochre · rose madder

secondary · burnt umber · viridian green · cadmium yellow light

Mix various tints of blues and whites for the sky and water. Use yellow ochre and burnt umber for the sand. Mix rose madder and white for the pink parasols and skin tones. Use viridian green and yellow ochre for the foliage.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details and losing the impressionistic effect.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle color variations in the light and shadow.
  • →Incorrect proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·rose madder oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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