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home·artworks·Bear and Cubs
Bear and Cubs by William Holbrook Beard

plate no. 8642

Bear and Cubs

William Holbrook Beard, 1864

oilRomanticismanimal paintingbearscavelandscapefoliageanimalslight
some experience helpful

Recreating this painting will help students develop skills in rendering fur texture and creating atmospheric perspective within a cave environment. It also provides practice in depicting light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the bears and the cave opening.

  2. step 02

    Establish the light source and map out the areas of light and shadow.

  3. step 03

    Block in the main colors of the cave walls, using darker tones for the interior and lighter tones near the opening.

  4. step 04

    Begin rendering the bears, paying attention to the direction of the fur and the subtle variations in color.

  5. step 05

    Add details to the foreground, including the foliage and any other objects.

  6. step 06

    Refine the details of the cave walls, adding texture and depth with varied brushstrokes.

  7. step 07

    Adjust the values and colors to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · sap green · ultramarine blue · yellow ochre

Mix burnt umber and raw sienna with varying amounts of white to create the different shades of brown for the bears and cave. Use sap green and yellow ochre for the foliage, and ultramarine blue to create the sky seen through the cave opening.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to create enough contrast between the light and shadow areas.
  • →Using colors that are too saturated and unnatural.
  • →Neglecting the importance of soft edges and blending.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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