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home·artworks·Beach at Squam
Beach at Squam by John Henry Twachtman

plate no. 1634

Beach at Squam

John Henry Twachtman, 1900

oil, canvasImpressionismlandscapebeachmountainwaterskylandscapewaves
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture atmospheric effects. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountain, shoreline, and water.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the large areas of color: the sky, the mountain, the water, and the beach.

  4. step 04

    Start with the darkest values and gradually add lighter tones.

  5. step 05

    Use broken brushstrokes to create texture and suggest detail.

  6. step 06

    Focus on capturing the light and atmosphere rather than precise details.

  7. step 07

    Add highlights to the water and the mountain to create depth.

  8. step 08

    Refine the details and adjust the values as needed.

color palette

primary · ultramarine blue · titanium white · viridian green

secondary · purple · yellow ochre · raw umber

Mix blue and white for the sky and water. Use green and blue for the mountain. Mix purple from blue and red for shadows on the mountain and beach. Add yellow ochre to white for the sandy areas.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·color mixing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →overworking the details
  • →using too much detail
  • →muddying the colors
  • →not capturing the light
  • →ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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