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home·artworks·Beach at Dieppe
Beach at Dieppe by Konstantín Korovin

plate no. 0833

Beach at Dieppe

Konstantín Korovin, 1890

oil, canvasImpressionismlandscapebeachcliffsskyfiguressealandscape
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using broken color to create texture and light effects. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the cliffs.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint, indicating light and shadow.

  3. step 03

    Block in the sky with broad strokes, blending the dark and light areas to create a sense of atmosphere.

  4. step 04

    Add the cliffs, using thicker paint and visible brushstrokes to define their form and texture.

  5. step 05

    Paint the beach, varying the color and texture to suggest wet sand and dry sand.

  6. step 06

    Add the figures on the beach with quick, gestural strokes.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights to the cliffs and beach to capture the light.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · cadmium yellow light · alizarin crimson

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and burnt sienna to create warm tones for the sand and cliffs. Add small amounts of alizarin crimson for subtle color variations.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure early on.
  • →Using colors that are too saturated and not capturing the muted tones of the scene.
  • →Ignoring the atmospheric perspective and not creating a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (titanium white, raw umber, ultramarine blue, yellow ochre, burnt sienna)
  • ·palette
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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