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home·artworks·Battle of the Dogs
Battle of the Dogs by Azim Azimzade

plate no. 5109

Battle of the Dogs

Azim Azimzade, 1938

oilArt Nouveau (Modern)genre paintingdogscrowdfigureslandscapebuildingsanimals
some experience helpful

Recreating this painting will help students practice figure drawing in a crowd setting and learn how to depict movement and tension through body language. It also provides an opportunity to explore color mixing to achieve a muted, historical palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the main figures and dogs.

  2. step 02

    Block in the background elements (landscape, buildings) with thin washes of color.

  3. step 03

    Start adding the crowd, using simplified shapes and colors to suggest individual figures.

  4. step 04

    Focus on the two main figures and dogs in the foreground, refining their shapes and proportions.

  5. step 05

    Begin adding details to the figures' clothing and faces, paying attention to light and shadow.

  6. step 06

    Develop the texture of the ground with short, broken brushstrokes.

  7. step 07

    Refine the colors and values throughout the painting, adjusting as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final details, such as highlights and shadows, to bring the painting to life.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · yellow ochre · ultramarine blue · cadmium red light

Mix raw umber and ivory black for the dark tones in the figures' clothing and hair. Use burnt sienna and yellow ochre for the ground and landscape. Mix ultramarine blue with white to create the sky.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a clear focal point.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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