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home·artworks·Battle of Marathon
Battle of Marathon by Georges Rochegrosse

plate no. 0182

Battle of Marathon

Georges Rochegrosse, 1911

oilArt Nouveau (Modern)history paintingfiguressoldiersbattlelandscapeweaponsarmor
advanced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and understanding atmospheric perspective to create depth. It also provides practice in rendering details of armor and weaponry.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the background landscape with broad strokes, focusing on the overall color and value relationships.

  3. step 03

    Start defining the main figures in the foreground, paying attention to their anatomy and poses.

  4. step 04

    Gradually add details to the figures, including armor, weapons, and facial features.

  5. step 05

    Use layering techniques to build up depth and create a sense of atmosphere.

  6. step 06

    Pay close attention to the lighting and shadows to create a sense of form and volume.

  7. step 07

    Refine the details and add highlights to create a sense of realism.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · sap green · raw sienna

Achieve the various skin tones by mixing burnt umber, yellow ochre, and titanium white, with small amounts of cadmium red for warmth. Use ultramarine blue and burnt umber to create muted shadows.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early and losing sight of the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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