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home·artworks·Baroness de Bonhome
Baroness de Bonhome by Alfred Stevens

plate no. 7631

Baroness de Bonhome

Alfred Stevens, 1886

pastelRomanticismportraitportraitfiguresdressflowersbackgroundclothing
experienced study

Recreating this painting will help students develop skills in rendering fabric textures, capturing subtle color variations in skin tones, and creating a sense of depth through layering and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and their proportions.

  2. step 02

    Establish the background with broad, blended strokes of warm browns and yellows.

  3. step 03

    Block in the basic shapes and values of the dresses, paying attention to the folds and drapery.

  4. step 04

    Start layering in the skin tones, using subtle variations of pinks, yellows, and browns.

  5. step 05

    Refine the details of the faces, focusing on capturing the likeness and expression.

  6. step 06

    Add the details of the dresses, such as the lace, ribbons, and flowers.

  7. step 07

    Introduce the dark details of the fan and shoes.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of depth.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · alizarin crimson · ultramarine blue · cadmium yellow light

Achieve the dress colors by mixing yellow ochre with white and small amounts of raw umber for shadows. Skin tones are created with white, alizarin crimson, yellow ochre, and a touch of ultramarine blue.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle color variations in the skin tones.
  • →Creating harsh lines instead of soft transitions in the fabric.
  • →Losing the overall sense of light and atmosphere.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x36 inches)
  • ·Oil paints: Yellow Ochre, Raw Umber, Titanium White, Alizarin Crimson, Ultramarine Blue, Cadmium Yellow Light
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Pre-tinting the canvas with a thin wash of raw umber can help create a warm undertone.

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