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home·artworks·Barn och stentroll
Barn och stentroll by John Bauer

plate no. 8292

Barn och stentroll

John Bauer

oilArt Nouveau (Modern)illustrationrocksforestchildrentreesfolklorelandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing a sense of atmosphere through subtle value changes. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the rocks, figures, and forest background.

  2. step 02

    Establish the overall value structure with a light wash of diluted brown or gray.

  3. step 03

    Begin layering colors on the rocks, starting with lighter tones and gradually adding darker shadows and mossy details.

  4. step 04

    Paint the figures, paying attention to their proportions and the way light falls on them.

  5. step 05

    Develop the forest background with vertical strokes of varying dark browns and greens.

  6. step 06

    Add details such as the small mushrooms and the texture of the ground.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and realism.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · yellow ochre · sap green · cadmium red light

Mix raw umber and white for the base of the rocks. Add small amounts of yellow ochre and burnt sienna for warmth. Use sap green mixed with raw umber for the mossy areas. Cadmium red light can be muted with raw umber for the children's clothing.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the rocks too uniform in color and texture.
  • →Failing to create a sense of depth in the forest background.
  • →Ignoring the subtle value changes that create form and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a toned canvas (light brown or gray) to establish the base value.

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