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home·artworks·Baptism of Christ
Baptism of Christ by Domenico Tintoretto

plate no. 4758

Baptism of Christ

Domenico Tintoretto

oilMannerism (Late Renaissance)religious paintingfiguresrivertreesskyangelsreligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomy, and creating a sense of depth through atmospheric perspective and value changes. It also provides practice in rendering drapery and creating a dynamic composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the figures, paying attention to anatomical accuracy and light and shadow.

  4. step 04

    Add details to the drapery, trees, and other elements of the background.

  5. step 05

    Refine the sky and angels, creating a sense of depth and atmosphere.

  6. step 06

    Glaze layers of color to build up richness and depth.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red light · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Use ultramarine blue and burnt umber for shadows and to create a range of greens for the landscape. Mix white with small amounts of other colors to create the cloud and angel colors.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the painting and losing the freshness of the initial sketch.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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