apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Baptism of Christ
Baptism of Christ by Benvenuto Tisi

plate no. 2285

Baptism of Christ

Benvenuto Tisi, 1525

oilMannerism (Late Renaissance)religious paintingfiguresriverlandscapereligious scenetreessky
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective in a landscape. It also provides practice in mixing subtle skin tones and achieving a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and landscape elements.

  2. step 02

    Establish the background with a thin wash of color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main figures with simplified shapes and values.

  4. step 04

    Develop the drapery, using light and shadow to create form and volume.

  5. step 05

    Refine the figures' anatomy and facial features, paying attention to proportions and expression.

  6. step 06

    Add details to the landscape, such as trees, rocks, and water reflections.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the depth.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · titanium white · raw umber · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve skin tones by mixing titanium white, cadmium red light, and raw umber. Create atmospheric perspective by adding ultramarine blue to the background colors.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions in the figures
  • →Overly harsh or muddy colors
  • →Lack of depth in the landscape
  • →Ignoring the subtle shifts in value
  • →Overworking the details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·damar varnish
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti