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home·artworks·Banks of the Loing, Saint Mammes
Banks of the Loing, Saint Mammes by Alfred Sisley

plate no. 0067

Banks of the Loing, Saint Mammes

Alfred Sisley, 1885

oil, canvasImpressionismlandscapewaterbuildingstreesskyreflectionslandscape
some experience helpful

Recreating this painting will help students understand color mixing for natural light and how to depict reflections in water using broken brushstrokes. It will also develop skills in creating depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and water line.

  2. step 02

    Block in the sky with a thin layer of blue and white, creating subtle variations.

  3. step 03

    Establish the base colors for the buildings and trees, focusing on their overall tone.

  4. step 04

    Paint the water with horizontal strokes, capturing the general color and movement.

  5. step 05

    Add reflections of the buildings and trees in the water, using broken brushstrokes and slightly darker values.

  6. step 06

    Develop the details of the buildings and trees, paying attention to light and shadow.

  7. step 07

    Refine the water reflections, adding highlights and subtle color variations.

  8. step 08

    Add final details and adjust values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt sienna

secondary · viridian green · cadmium yellow · raw umber

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Create greens by mixing blues and yellows, and use burnt sienna and raw umber to create earth tones for the buildings and trees.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·color layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Making the reflections too literal and symmetrical.
  • →Not capturing the subtle color variations in the sky and water.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (ultramarine blue, yellow ochre, titanium white, burnt sienna, viridian green)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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