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home·artworks·Balmoral castle, drawn by Leitch, engraved by J. Godfrey
Balmoral castle, drawn by Leitch, engraved by J. Godfrey by William Leighton Leitch

plate no. 9079

Balmoral castle, drawn by Leitch, engraved by J. Godfrey

William Leighton Leitch, 1875

oilRomanticismlandscapelandscapecastlemountainstreesfiguresriver
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering foliage and architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the castle, mountains, and river.

  2. step 02

    Establish the sky with a light wash, blending colors to create a soft, atmospheric effect.

  3. step 03

    Block in the distant mountains with muted blues and grays, using lighter values for the more distant peaks.

  4. step 04

    Paint the middle ground hills and trees, layering colors to create depth and texture.

  5. step 05

    Add details to the castle, using a fine brush to capture the architectural features.

  6. step 06

    Paint the foreground trees and foliage, using darker values and more saturated colors.

  7. step 07

    Add the figures and animals in the foreground, paying attention to their proportions and placement.

  8. step 08

    Refine the details and add highlights to create a sense of realism.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix blues and browns with white to create the muted tones of the distant mountains. Use yellow ochre and sap green for the foliage, adding touches of cadmium yellow for highlights.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant mountains, which should be kept soft and muted.
  • →Using too much saturated color in the background, which will flatten the image.
  • →Ignoring the importance of value contrast in creating depth.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·water container
  • ·paper towels

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Using a toned canvas can help to establish the overall color harmony of the painting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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