apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Balchik Gulf
Balchik Gulf by Sever Burada

plate no. 1671

Balchik Gulf

Sever Burada

oilImpressionismlandscapemountainsseabuildingsskysailboattown
some experience helpful

Recreating this painting will help students practice layering colors and creating texture with visible brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and color blocks.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: mountains, sea, and the town.

  2. step 02

    Block in the large areas of color: blue for the sea and sky, and ochre/green for the mountains.

  3. step 03

    Add darker values to define the shadows on the mountains and in the sea.

  4. step 04

    Begin adding details to the town, focusing on shapes and colors rather than precise details.

  5. step 05

    Use short, broken brushstrokes to create texture in the water and on the mountains.

  6. step 06

    Add highlights to the water and buildings to create a sense of light.

  7. step 07

    Paint the sailboat with simple shapes and colors.

  8. step 08

    Refine the details and adjust the colors as needed.

color palette

primary · cerulean blue · yellow ochre · titanium white

secondary · burnt sienna · sap green · cadmium yellow

Mix greens by combining yellow ochre and cerulean blue. Use white to lighten colors and create highlights. Mix burnt sienna with blue to create muted browns and grays.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-dry layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much detail in the buildings.
  • →Making the colors too saturated.
  • →Not varying the brushstrokes enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·sap green oil paint
  • ·cadmium yellow oil paint
  • ·assorted brushes (flat and round)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann