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home·artworks·Bajo un Uvero
Bajo un Uvero by Armando Reveron

plate no. 9938

Bajo un Uvero

Armando Reveron

oilImpressionismgenre paintingtreefigurebeachseafoliagecat
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create a sense of light and texture. Students will also learn how to simplify complex forms into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, figure, and horizon line.

  2. step 02

    Establish the overall color scheme by applying a thin wash of diluted paint to the entire canvas.

  3. step 03

    Block in the main shapes of the tree trunk and foliage, using darker values for shadows and lighter values for highlights.

  4. step 04

    Paint the figure with simplified forms, paying attention to the light and shadow on the skin.

  5. step 05

    Add details to the beach and sea, using broken color techniques to create texture and depth.

  6. step 06

    Refine the foliage by adding individual leaves and branches with small brushstrokes.

  7. step 07

    Add the cat, focusing on its shape and value contrast.

  8. step 08

    Adjust the overall values and colors to create a harmonious and atmospheric effect.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna

Mix blues and whites for the sky and sea. Use burnt umber and white for the tree trunk and beach. Add yellow ochre and raw sienna to warm up the browns.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much detail in the background, which can flatten the image.
  • →Failing to establish a clear value structure, which can make the painting look muddy.
  • →Not blending colors sufficiently, resulting in a choppy appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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