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home·artworks·Bad Der Bathseba (detail)
Bad Der Bathseba (detail) by Francesco de' Rossi (Francesco Salviati), "Cecchino"

plate no. 6869

Bad Der Bathseba (detail)

Francesco de' Rossi (Francesco Salviati), "Cecchino", 1554

frescoMannerism (Late Renaissance)religious paintingfiguresarchitecturecityscapewaterreligious scene
experienced study

Recreating this painting would develop skills in figure drawing, architectural rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in subtle color mixing and achieving a fresco-like texture.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, focusing on proportions and placement.

  2. step 02

    Establish the basic background tones with diluted washes of browns and grays, creating the atmospheric perspective.

  3. step 03

    Block in the main values of the figures, paying attention to the light source and shadows.

  4. step 04

    Begin refining the details of the architecture, using a fine brush to add columns, windows, and other features.

  5. step 05

    Develop the figures further, adding details to the faces, hair, and drapery.

  6. step 06

    Mix subtle variations of skin tones to create a sense of depth and volume.

  7. step 07

    Add the water reflections and details in the foreground.

  8. step 08

    Glaze with thin washes to unify the painting and create a fresco-like texture.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · yellow ochre · payne's gray · ivory black

Achieve the muted tones by mixing browns, grays, and whites. Use small amounts of yellow ochre or burnt sienna to warm up the skin tones. Dilute paints with medium for glazing.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering

common pitfalls

  • →Overworking details too early
  • →Using colors that are too saturated
  • →Ignoring the atmospheric perspective
  • →Incorrect proportions of figures or architecture

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·round brushes (various sizes)
  • ·linseed oil or solvent

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a canvas with a smooth texture to facilitate blending and glazing. Consider using a toned canvas to establish the base color.

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