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home·artworks·Backyard, Malta Farm, Observatory
Backyard, Malta Farm, Observatory by Pieter Wenning

plate no. 3307

Backyard, Malta Farm, Observatory

Pieter Wenning

oilImpressionismlandscapebuildingsfarmfieldskygrassfence
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, field, and sky, focusing on proportions and placement.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color for the sky, field, and buildings.

  3. step 03

    Begin layering colors in the sky, using short, broken brushstrokes to create a sense of atmosphere.

  4. step 04

    Develop the field with varying shades of green, adding highlights and shadows to create depth.

  5. step 05

    Add details to the buildings, paying attention to the light and shadow patterns.

  6. step 06

    Refine the fence and other foreground elements, using thicker paint and more defined brushstrokes.

  7. step 07

    Add final touches and highlights to enhance the overall impression of the scene.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to color, value, or composition.

color palette

primary · cerulean blue · yellow ochre · raw umber · titanium white

secondary · burnt sienna · cadmium yellow light · ivory black

Mix greens by combining yellow ochre and cerulean blue, adjusting the ratio for different shades. Use burnt sienna and raw umber to create earth tones for the buildings and fence.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the initial impression.
  • →Using too much detail and cluttering the composition.
  • →Failing to establish a clear value structure, resulting in a flat and uninteresting painting.
  • →Not varying the brushstrokes enough, leading to a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·view finder

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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