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home·artworks·Back of the New Mills, Norfolk
Back of the New Mills, Norfolk by John Crome

plate no. 9746

Back of the New Mills, Norfolk

John Crome, 1817

oilRomanticismlandscapebuildingswatertreesskyboatsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in rendering architectural forms with simplified details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, water, and sky, paying attention to the overall composition.

  2. step 02

    Establish the main value ranges by blocking in the darks and lights with thinned paint.

  3. step 03

    Begin refining the shapes of the buildings, adding details like windows and rooflines.

  4. step 04

    Paint the sky, blending the colors to create a soft, atmospheric effect.

  5. step 05

    Add the reflections in the water, using similar colors and values as the objects above.

  6. step 06

    Paint the trees and foliage, using broken brushstrokes to create texture.

  7. step 07

    Add the figures and boats, keeping them simple and in proportion to the rest of the scene.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and atmospheric painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre

Mix raw umber and white for the sky and water. Use burnt sienna and raw umber for the buildings. Add touches of blue to darken shadows and yellow ochre to warm highlights.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the reflections too sharp or defined.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for broken brushstrokes. Thin the paint with linseed oil or mineral spirits for the initial layers.

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oil painting for beginners →how to learn by studying the masters →
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